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Genre 0
Mood 0
Instrument 0
Music For 0
Country
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Africa
- African
- Angola
- Cameroon
- Côte d'Ivoire
- Equatorial Guinea
- Ethiopia
- Ghana
- Guinea
- Kenya
- Madagascar
- Mali
- Morocco
- Nigeria
- Senegal
- South Africa
- Tanzania
- Tunisia
- Uganda
- Western Sahara
- Zaire
Asia
- Asian
Australasia
- Australasian
Caribbean
- Caribbean
Central America
- Central American
Eastern Europe
- Armenia
Europe
- Albania
Middle East
- Afghanistan
North America
- Appalachia
South America
- Argentina
TEMPO/BPM 5
- Very Slow (<80)
- Slow (80 - 100)
- Medium (101 - 120)
- Fast (121 - 140)
- Very Fast (>140)
Albums (4 Results)
Tracks (35 Results)
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The Cellar 3 Versions Jeremy Warmsley Psychological Horror |
As might be expected, The Cellar is unnerving throughout. Dissonant strings are artistically manipulated to sound like the terrifying wail of sirens as a minimal drum keep a haunting beat. | 02:22 |
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Angry Boy3 Versions Jeremy Warmsley Psychological Horror |
The track begins with dissonant strings brooding underneath an urgently played piano performance, before developing into an atmospheric and equally unnerving second half. | 02:59 |
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The Body3 Versions Jeremy Warmsley Psychological Horror |
Tension reigns supreme in this unnerving and creepy horror piece that puts the listener on edge throughout. | 01:19 |
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She Thinks3 Versions Jeremy Warmsley Psychological Horror |
A short and tense string piece that uses dissonant strings build a calm but ominous sense of anticipation. | 01:26 |
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An Ending3 Versions Jeremy Warmsley Psychological Horror |
Strings play held notes in a drone as more join the dissonant sound, leading to an intense and fierce final section. | 02:20 |
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Cycles Of Violence6 Versions Jeremy Warmsley Psychological Horror |
Opening to chilling bursts of noise, Cycles Of Violence transitions into an enchanting and mysterious piece centred around a penetrating soprano performance. | 02:06 |
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The Goose3 Versions Jeremy Warmsley Psychological Horror |
An uneasy feeling is present throughout, as mysterious strings grate against each other, creating an ominous tension. | 01:56 |
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The Veil3 Versions Jeremy Warmsley Psychological Horror |
Warmsley's choice of ambient textures and contorted piano sounds are surreal and totally terrifying; a piece that leaves the listener terrorised. | 04:07 |
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Homebound Overture6 Versions Jeremy Warmsley Psychological Horror |
An atmospheric orchestral piece with an unnerving and sinister energy, centred around a haunting female vocal performance, ending on a jumpy horror section. | 02:12 |
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The Party3 Versions Jeremy Warmsley Psychological Horror |
Spanish guitar interacts playfully with an elegantly played viola in this intriguing and mysterious piece that flows between edgy and pleasant with alarming ease. | 02:30 |
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The Abandoned Swimming Pool3 Versions Jeremy Warmsley Psychological Horror |
Centred around a masterful viola performance, the elegant piece develops into a scary and ominous ode to Hitchcock. | 01:45 |
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Murder3 Versions Jeremy Warmsley Psychological Horror |
Mysterious and murky from the beginning, the piece slowly develops in atmosphere before unleashing into a jumpy finale that is not for the faint of heart. | 04:23 |
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Mother3 Versions Jeremy Warmsley Psychological Horror |
A murky piece that builds a sinister mood with atmospheric string and synth textures, until the very end when frightening strings pierce through the gloom. | 04:54 |
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The House3 Versions Jeremy Warmsley Psychological Horror |
The anticipation is palpable in this uncomfortably tense piece. The drone of dissonant strings is present through as a cello keeps an ominous, steady rhythm. | 01:53 |
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Ruined Decadence3 Versions Jeremy Warmsley Psychological Horror |
Intriguing strings and inquisitive Spanish guitar interact in a flowing piece steeped in mystery. | 02:15 |
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Homebound Overture XXL5 Versions Ark, Jeremy Warmsley Trailer Horror |
The track opens to an atmospheric, orchestral soundscape, with an unnerving and sinister energy and a haunting operatic vocal. Urgent drums add a chaotic tension, driving forward into a horror finale. | 02:21 |
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The Veil XXL4 Versions Ark, Jeremy Warmsley Trailer Horror |
Opening to surreal ambient textures and contorted acoustic sounds, trailer tools and bursts of percussion build with unrelenting energy in a piece that leaves the listener terrorised. | 02:20 |
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Abandoned Swimming Pool XXL7 Versions Ark, Jeremy Warmsley Trailer Horror |
Centred around a masterful viola performance, the ominous ode to Hitchcock descends into a rhythmical and anthemic piece, maintaining its eery elegance throughout. | 02:21 |
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Mother XXL3 Versions Ark, Jeremy Warmsley Trailer Horror |
A murky piece that builds a sinister mood with atmospheric string and synth textures, before rumbling synths, powerful percussion and and increasingly urgent strings evolve into horror-induced chaos. | 03:09 |
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The Reality Of My Situation Jeremy Warmsley Percussive Horror |
Dark synth layers and measured percussive strikes carry distant female vocals, pulling listeners into a gripping, tense atmosphere where rising dread and uncertainty unfold. | 03:33 |
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Living In A Horror Film Jeremy Warmsley Percussive Horror |
Mysterious, foreboding textures swell with tense percussion and eery vocals, crafting a dark atmospheric piece filled with fear, suspense, and ominous unease. | 01:49 |
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Beat The Bones Jeremy Warmsley Percussive Horror |
Gliding strings, delicate vocals and subtle percussion create a haunting, fragile atmosphere that drifts between melancholy and ethereal stillness, evoking quiet, poignant tension. | 00:58 |
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The Witch Trial Jeremy Warmsley Percussive Horror |
Busy percussion and sorrowful string tones surround harmonised female vocals, forming a ritual-like unease that tightens with each pulse inside a stark cinematic tension landscape. | 03:04 |
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What Do You See Jeremy Warmsley Percussive Horror |
Mysterious female vocals creep beneath urgent rhythms, stretching suspense across a shadowed cinematic space where tension, restraint, and quiet alarm slowly take shape. | 01:35 |
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Getting Better Jeremy Warmsley Ethereal Unease |
A delicate synthetic glow underpins the soft, hushed vocal delivery, unfolding a subtle journey of muted emotion, faint warmth, and minimalist dramatic tension. | 01:36 |
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Voices From Beyond Jeremy Warmsley and London Contemporary Orchestra Ethereal Unease |
Vocal chants drift through tightening harmonic shadow as subtle motion builds restrained anxiety, drawing perception toward unseen presence and breathless expectancy. | 00:58 |
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The Good Witch And The Bad Witch Jeremy Warmsley Ethereal Unease |
Minimal electronic gestures breed unease through strange stillness, cultivating hushed threat, unnatural calm, and mythic dread suspended inside a frozen dramatic ritual. | 01:13 |
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They Felt Like Me Jeremy Warmsley Ethereal Unease |
Atmospheric synths drift beneath distant vocals and mournful strings, blending fleeting hope, lingering melancholy, and uneasy introspection into a haunting, intricate sonic journey. | 02:16 |
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Things Get Worse Jeremy Warmsley and London Contemporary Orchestra Ethereal Unease |
Female vocals emerge through ascending instability as keyboard tension coils upward, forging delicate suspense where hope replaces inevitability inside a tightening dramatic arc. | 01:26 |
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Psychosis Jeremy Warmsley Ethereal Unease |
Reverberant electronic pressure tightens perception into a suffocating corridor of fear, imbalance, and mounting terror as motion crawls forward without relief. | 01:18 |
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The Shadow Of Madness Jeremy Warmsley and London Contemporary Orchestra Ethereal Unease |
Synth pulses create a brooding foundation as xylophone chimes surface sporadically and scattered female vocals drift through, shaping an uneasy, cryptic, and unsettling atmosphere. | 01:41 |
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An Evil Legacy Jeremy Warmsley and London Contemporary Orchestra Ethereal Unease |
Airy vocals evolve into soft guitar arpeggios and synthetic undertows, shaping a subdued flow where quiet sorrow, veiled tension, and restrained motion unfold with understated dread. | 02:01 |
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The Edinburgh Test Jeremy Warmsley Ethereal Unease |
Icy spectral pressure stretches beneath elongated tones, cultivating apprehension through shadowed motion, restrained panic, and tightening narrative unease that never fully resolves. | 01:54 |
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Daksha Jeremy Warmsley and London Contemporary Orchestra Ethereal Unease |
Choral layers hover above weighted keystrokes, spiralling inward through drifting intensity and reflective gravity, forming a suspended dramatic meditation that breathes with slow emotional gravity. | 00:51 |
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Joy, Beauty, Love And Magic Jeremy Warmsley and London Contemporary Orchestra Ethereal Unease |
Radiance pours through tender harmonic swells as soft female singing lifts sorrow into comfort, shaping a glowing cinematic reverie built from fragile resonance and slow emotional release. | 00:57 |
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